Auguste Rodin (1840-1917), French sculpture. Born in a commoner family in Paris, he entered the Paris School of Fine Arts to study at the age of 14, and then began to study sculpture, and worked as an assistant to the famous sculptor Garrière Belles at the time. He went to Brussels to create sculptures for 5 years. In 1875, he went to Italy. He was deeply moved by the works of Michelangelo and established the creative method of realism.
The Thinker portrays a powerful working man. The giant bent over, bent his knees, and held his chin in his right hand, contemplating the tragedy that unfolded below. His deep eyes and the gesture of biting his lips into his fists showed a feeling of extreme pain. He longed to sink into “absolute” meditation, trying to shrink and bend that strong body into a ball. His muscles were tense, and he was not only engrossed in his thoughts, but also in distress.
The Thinking Statue figure is completely naked, with a slightly bowed waist, his left hand is naturally placed on his left knee, his left leg supports his right arm, his right hand is off the chin statue with sharp lines, and his clenched fist is firmly pressed against his lips, which is very fit in itself. At this time, the muscles of his body bulged nervously, revealing full lines. Although the statue image is still, it seems to show that he is carrying out high-intensity labor. He looks solemn and solemn, as if he is examining everything in the universe.
The Thinker (French name: Le Penseur) is a sculpture created by the French sculptor Auguste Rodin. The model has several sculptures under the guidance of Rodin. The most important statue is bronze and the base is marble. In the Paris Museum. A plaster cast made in 1880, now in the Musée Rodin, Paris.
“The Thinking Statue” has created an artistic image of a typical thinker. It is not only the representative of each individual human being, but also the representative of the whole human being. From an individual point of view, this giant bends his waist, bends his knees, and holds his lower collar in his right hand, quietly thinking about the difficulties of the overall development of human beings and the various sufferings they have experienced. His deep gaze and the gesture of his powerful fist touching his thick, chapped lips conveyed a mood of excruciating pain, but ultimately resistance and struggle. This kind of pain is a kind of nature for Rodin, and this kind of resistance and struggle is even more a kind of nature – an irresistible law of social development.It is this kind of nature that makes people have a flat mentality. However, he calmly paid attention to the development of people, and showed extreme sympathy and love, especially for those who committed crimes, he could not pass the final sentence. The anguish in the heart of the poet Dante, and this anguish is also the anguish of The Thinker itself. This kind of depressed inner emotion is vividly expressed through the artistic processing of facial expressions and the ups and downs of the muscles of the limbs, such as the extreme bulging of the forehead and eyebrows, and the extreme sunken eyes.Hidden in the shadows, the expression of brooding contemplation was enhanced, the extension and contraction of the calf muscles, and the toes that were bent firmly to the ground and kept stable, powerfully conveyed this painful emotion. This superficial quiet but hidden power is even more thought-provoking. This work is the embodiment and reflection of the symbolic idea, the embodiment and reflection of Impressionism, the embodiment and reflection of naturalism, and finally the embodiment and reflection of realism.
This work integrates profound spiritual connotation with complete characterization, reflecting the basic characteristics of Rodin’s sculpture art. Rodin’s human sculptures not only show the healthy beauty of the human body, but also contain a profound and eternal spirit. In this work, the sculptor, on the one hand, adopts the precise technique of realism, and at the same time expresses the humanistic thought consistent with the poet Dante, who expressed great sympathy and grief for the suffering of human beings.
In the 21st world, we should cherish the present and live a good life. Our happiness is only because we stand on the shoulders of countless predecessors. We should thank them. Without their contributions, we would not be where we are now.
Before the 21st world, we were from an agricultural society, an industrial society, and material was extremely scarce. At that time, we didn’t pay much attention to the development of physical and mental health. Then in the 21st century, we are not in lack of material, so how many of us pay attention to it. Your physical and mental health? I would like to say that this is a great opportunity for us to develop, to devote ourselves to cultivating our body and mind, to improve our xinxing, to allow ourselves to be inclusive of all things, to live a cheerful and happy life.
There will be a next generation in the future, this generation is ours.Come on, we who make sculptures.
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