Wuhan Xian-Yun · He-Mansion | Oriental Paradigm

Taking cranes as a letter, based on the East, and as a benchmark for restaurants in Chu, Xian-Yun Catering Group founded the landmark of Wuhan, the Crane Catering brand. The heads of its stores are all disciples of Mr. Qu Hao, the world's chef, and are known as "Four Cranes of Chu Mansion".

Based on the aesthetic pursuit of oriental feasting and gardening culture, the Crane restaurant stores have all become masterpieces. Today, following the model of "crane house", the crane mansion will continue its leisurely chapter, gathering the strengths of the crowd, and making the best of its subtleties. Essence, delete Wu to simplify to bring out new ideas, and integrates a clear spatial mood.

The vermilion rust wall, the bamboo forest sparsely slanted and slanted; the flowing water is shining, washing away the dust on the surface; the ancient stone is grand and elegant again. When entering the courtyard for the first time, the KLONDIKE CORTEN series, with a strong rendering of tranquility, outlines the atmosphere with roughness, and guides guests to the main entrance of the hall of the Crane Mansion.

The noble and noble, only vermilion and gold, entered the museum from the outer courtyard, cinnabar red waves, splendid gold and blue, who would have thought that it was made of Italian art paint? The SABULADOR SOFT series is paired with the VALSETIN series, which is derived from the luxurious texture of oriental silk. The door opens and closes, and the twin bright moons play the role of the handle in two rounds.

In the atrium of the hall, the ribbons are flowing, like the beginning of the Hua-Yun, but in fact it imitates the soaring and dancing state of a crane; at the bottom stands a lucky beast, intended to ride a lion, the God of Wealth, to send guests a blessing; when you walk up the stairs, you will see a golden-powdered wooden plaque.

From the plaque of the No. 1 Middle Hall of the Qing Dynasty in Hangzhou, it is carved from Nanmu, with piano and chess calligraphy and painting, and there are paintings in the paintings. The interior walls of the museum are still divided into two colors, gold and red, which are derived from natural art paints from Italy, such as stone texture and brush strokes, with considerable ingenuity.

Climbing up the steps, the fine sand and deep vermilion seem to be woven into the texture of the wall, inch by inch, browsing the traces of the years. The combination of black, red and gold seems to be thick and colorful but extraordinarily elegant, like independent collision but extraordinarily matched, the combination of cold and warm presents the vitality of the theme of "Crane Mansion" appropriately.

There are boxes in the museum, which have a view, and there are classics to follow. The atrium of an official residence in Ming and Qing Dynasties "inlaid" between the corridors has been successfully restored. The wood carvings on the beams are exquisitely decorated with knives, and the mood is moving. The walls made by millions of goldsmiths are amazing!

The last dream of the covered bridge, a glimpse of the light, the dream of a crane returning to the Yuan, a poetic realm on one floor. The dark environment creates a private atmosphere. The unique metal texture of KLONDIKE in the storage compartment refracts the light and adds a high-level oriental romance. The sky is where the light falls, Confucianism and Taoism are combined, and movement and stillness are mixed together, which breeds the wind of Zen in the space.

After tasting the delicacies, Fang realizes the "superior quality", the rare materials, the extravagance of the materials, and the quality of the products are rarely comparable. The bright and lively green-based tableware matches the cool-colored walls in the museum, which is like spring and flowers.

The Chinese complex is always the one that can't be given up in the bones. The Xian-Yun · He-Mansion defines the dining space with high and new standards. It does not adhere to the past and the present. 

There is a house in the "house", and it combines the oriental literary charm with the modern ease and prosperity. Combining, bold and systematic in the application of materials and colors, G.SB PAINT TOOLS CO., LTD is honored to participate in it, presenting to you the luxurious and elegant new Chinese style that is both contemporary and inherited.